Shelf Life 2024 with Cosima Scales, Redland Art Gallery, Cleveland, QLD. Images: courtesy of Redland Art Gallery and Louis Lim.
Ecological Antidote 2021, Byron School of Art, Mullumbimby NSW. Image: Bridie Gillman
Form & Function 2020 with Cosima Scales, STABLE, Meeanjin (Brisbane), QLD. Images: courtesy of STABLE.
Where to from here? 2019, POP Gallery, Fortitude Valley, Meeanjin (Brisbane), QLD. Images: Thomas Oliver
She Sees, She Feels, She Makes 2018 (curated by Carol McGregor) with Debbie Taylor-Worley (Gamilaraay) Glennys Briggs (Taungurung and Yorta Yorta), Kim Ah Sam (Kuku Yulanji, Kalkadoon), Carolyn Stubbin, and Paula Payne, Project Gallery, Queensland College of Art, Meeanjin (Brisbane), QLD. Images: Faun Photography
searching for dialogue 2017, salvaged wire, cardboard, paper, metal garden shovel, natural twine, adhesive, and dune sand, 240x240x30cm, Watch This Space, Mparntwe (Alice Springs), NT. Images: Cindy Richards
Empathy Towards Plants 2017 with Sally Molloy and Cosima Scales, Project Gallery, Queensland College of Art, Meeanjin (Brisbane), QLD. Images: Llewellyn Millhouse
A Consumer’s Guide to Unobtainable Happiness 2015, salvaged materials including cardboard, wood, paper, and polystyrene, plus acrylic paint, varnish, modelling paste, adhesive, wire and glass, dimensions variable, Interdisciplinary Studio, Queensland College of Art, Meeanjin (Brisbane), QLD. Images: Faun Photography
Untitled 2005-07, disused bullet casings, polystyrene, acrylic paint, black sesame seeds, and wire, dimensions variable, TAFE NSW, Lismore. Image: Cal Mackinnon.